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Richard
 Bass Player 1970 - 1993

[edited excerpts from the OKOLONA chapters of the book-in-progress]

The Art of Scratching Off In A Push-Button Dodge

Richard, blond, fun, lively and gregarious to an extreme, fit well into OKOLONA. He was a genuine Early East Atlantan, a graduate of Roosevelt High and one of the better-known youth attending the Eastside Baptist Church with Wayne and Jim. His sister was married to OKOLONA's then-rhythm player, Tally Gragg. Most remarkable was his carefree, life-affirming attitude.  Where Richard excelled was in his ability to turn potentially dispiriting occasions into celebrations of laughter and Richard. 

Take, for example, Richard’s borrowing of Wayne’s sunglasses during a race they attended together at the Atlanta Raceway in ‘69. Richard had had a few beers and—hell, let Wayne himself tell it:

. . . . as the race started, Richard had gotten into rare condition. As the lead cars would approach the third turn he would crouch into a sprint position and as they broke into the turn, he would break into a run, much to the amusement of the groundlings in sight. He kept this up for at least twenty laps. At one point Richard asked to borrow my $14 Italian wraparound sunglasses I had purchased at Muse’s downtown. 

These were some nice shades, gaudy and tacky and very expensive for 1969. “No, you’ll break them.” “No, I won’t let me have them.” “No, you’re drunk and you’ll tear them up.” “No, I won’t. I’ll be fine. Let me try them out, I just want to see what they’re like. I’ll take good care of them.” “Well, OK, but be careful those are expensive.” Richard donned my sunglasses and wandered off for a few minutes. The next time I saw him he was laughing, sans glasses. I was about to ask him where they were when in the midst of his hysterical laughter he held up my sunglasses, now in two pieces, one in each hand. Continuing to laugh uncontrollably, he held out the shattered shades, “Here, I don’t need them anymore.” For a second, I wanted to slug, him but Richard being Richard continued to laugh, “Neither do you.” Hell, they were pretentious anyhow and it was more fun to laugh with Richard.


Vintage, lovable Richard; he could well be the subject of his own book. 

Until he joined OKOLONA, Richard had never played bass, but he’d played violin briefly as a child and trumpet at Roosevelt. He hung around the OKOLONA band a lot, and Wayne and Jim figured he could easily learn bass. He started on the same cheap bass guitar that Robert, OKOLONA's original bass player, had played in the Crowe’s Nest honky-tonk during Okolona's first gigs. Although Richard didn’t practice a lot, just with OKOLONA at their weekly practice in Tally’s basement, he learned quickly. Soon enough he discovered what a piece of shit Robert's old bass really was, its neck now warped from the pressure of the heavy strings, one key slipping. It didn’t help that, as a born technician, he’d taken it apart and messed around with the wiring. 

The first gig at which they really needed him, at a music hall in Jasper, he refused to play until Wayne went to the Smyrna Music Mart and rented him some decent equipment. And they sounded good together that night in Jasper even though it was only a matter of weeks after Richard had joined. When the management asked OKOLONA to play another hour, Richard's fingers were already so badly blistered that he had to refuse. But, Richard's abilities proven, Tally soon bought him a Fender Precision bass and a Kustom amp.

It is this very Precision bass that Richard's worthy successor, Osama Kheir, is proud to have played in OKOLONA from 1994 to 2001. Now Joy takes the helm.

Richard loved the OKOLONA band with all the enthusiasm he brought to everything he did. But, sad to say, after a long battle with hepatitis, Richard died in the summer of 1993, aged 41. He'd known he shouldn't eat oysters, but it wasn't like Richard to deny himself any pleasures, and eating tainted oysters at a yuppie seafood restaurant on Panama City’s Miracle Mile finally did him in. He left behind a devoted wife, Pam, and one son, Scott. At his service, a picture of him with OKOLONA, and his OKOLONA hat, were displayed beside his closed casket. Wayne, fortified by eight beers drunk on the way to the service, delivered OKOLONA eulogy, telling of the joy Richard took in life and the intensity he brought to its pursuit. 

He’s been sorely missed by his friends and family; he and always will be. 

Wayne again:

I miss Richard like I would miss the greening of spring time and the collage of autumn hues. He was as fresh as the changing seasons . . . . Richard was always there when I asked him to be, a desirable quality. I miss him dearly, going to his grave at least once a year, passing the ruins of the Old El Paso [later renamed Gale’s, a roadhouse, which later burned, where OKOLONA had played—coincidentally located quite near Richard’s grave], always foregoing the sentimental desire to pour a beer on his grave, ‘cause I’d rather have it myself (he would want it that way), and always declining to piss on his marker as it has been broad daylight on a busy road.

Richard had wanted his ashes scattered onto the field of Tara Stadium, the Morrow High School football field where his son Scott would quarterback his senior year. Jimmy and Wayne were ready to enter into a conspiracy with his wife to do it for him, too. His parents, however, wouldn’t hear of it, and their wishes were respected.

In the OKOLONA band room today is kept and appropriately revered an empty Miller High Life bottle. It held Richard’s Last Beer, the last beer he drank the last time he played with the band. And because friends remain with us as long as long as someone is sober enough to tell stories about them, at OKOLONA band practices some member of OKOLONA will inevitably tell a few about OKOLONA's departed mentor, Wayne's Uncle Billy, and about Richard. 

They laugh about the time in Tifton when the air-conditioner in their hotel room at the Passport Inn didn’t work and Richard rewired it to achieve sub-zero temperatures. And once at the Holiday Inn, after the gig at the Agrirama in Tifton, Richard discovered OKOLONA's sound man, Ted, lying on his back in his underwear, drunk, vomiting straight up in the air and choking on his own vomit. “GODDAMN IT, TED! GET UP OFF YOUR ASS!” he yelled as he grabbed Ted up and took him over to the shower. He stood Ted straight up and turned cold water on him until he revived. Richard had probably saved Ted's life. Doing so, however, had its price. It was one of Richard’s peculiarities that he couldn’t stand vomit. If he saw it, smelled it, or even heard the sound of gagging, he’d likely vomit himself. After Ted was safely put to bed, he walked down two floors into Wayne’s room and promptly threw up in front of Wayne, Jimmy, their wives, and Wayne’s parents.

Someday, we must have a painting on black velvet of Uncle Billy and Richard crashing through the Pearly Gates in, respectively, a ‘57 Ford and a ‘69 Mustang and racing together down the Heavenly GA 400 highway, a bottle of Jack Daniel’s and a quart of buttermilk floating between their cars. They really did something like that once--pass Jack Daniel’s and buttermilk between cars traveling up GA 400--a few years before Billy died, when they on their way to conquer the Nantahala river. 

It will hang in the OKOLONA band room and absorb the sounds of Real Country Music and the smells of stale cigarettes and beer. It will be taken down only when Richard's bass falls silent and Okolona's Last Man Standing departs to reunite with the other Okolonans in--what else?--that great Honky-Tonk In The Sky.


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